Showing posts with label tom wilkinson. Show all posts
Showing posts with label tom wilkinson. Show all posts

Monday, February 20, 2017

"THE KENNEDYS" (2011) Review



"THE KENNEDYS" (2011) Review

The past thirty to forty years have seen a great deal of movies, documentaries and television productions about one of the most famous political families in the U.S., the Kennedys. But none of them have garnered as much controversy or criticism as this latest production, an eight-part television miniseries that aired last April. 

Directed by Jon Cassar, "THE KENNEDYS" chronicled the family’s lives and experiences through the 1960s – mainly during President John F. Kennedy’s Administration. The miniseries also touched upon some of the family’s experiences and relationships before JFK first occupied the White House through flashbacks in Episode One, which also focused upon Election Day 1960. And Episode Eight covered the years between JFK’s assassination and the death of his younger brother, Robert F. Kennedy in June 1968. But the meat of the miniseries centered on the years between January 1961 and November 1963. Unlike most productions about the Kennedys, which either covered JFK’s public experiences as President or the family’s private life; this miniseries covered both the public and private lives of the family. 

Much to my surprise, "THE KENNEDYS" attracted a great deal of controversy before it aired. The miniseries had been scheduled to air on the History Channel for American audiences back in January of this year. However, the network changed its mind, claiming that "this dramatic interpretation is not a fit for the History brand.". Many, including director Jon Cassar, believed that the network had received pressure from sources with connection to the Kennedy family not to air the miniseries. Several other networks also declined to air the miniseries, until executives from the Reelz Channel agreed to do so. That network failed aired "THE KENNEDYS" back in April and other countries, including Canada and Great Britain also finally aired it. After viewing the miniseries, I do not understand why the History Channel had banned it in the first place.

The miniseries not only attracted controversy, but also mixed reviews from the critics. Well, to be honest, I have only come across negative reviews. If there were any positive commentary, I have yet to read any. For me, "THE KENNEDYS" is not perfect. In fact, I do not believe it is the best Hollywood production on the subject I have seen. The miniseries did not reveal anything new about the Kennedys. In fact, it basically covered old ground regarding both JFK’s political dealings with situations that included the Bay of Pigs, the Civil Rights Movement and the Cuban Missile Crisis. It also covered many of the very familiar topics of the Kennedys’ private lives – including the adulterous affairs of both JFK and Joseph Senior. Hell, even the miniseries' take on the Cuban Missile Crisis seemed more like a rehash of the 2000 movie, "THIRTEEN DAYS". In fact, the only aspect of this miniseries that struck me as new or original was the insinuation that First Lady Jacqueline Kennedy may have received amphetamine shots (also taken by JFK) from a Doctor Max Jacobson, to boost her energy for the numerous duties of her office. And I have strong doubts over whether this is actually true. 

I have one other major complaint about the miniseries – namely the final episode. Episode Eight covered Jacqueline and Bobby’s lives during the remainder of the 1960s, following JFK’s death. For me, this was a major mistake. Although Part One mainly covered Election Day in November 1960, it also featured flashbacks of the family’s history between the late 1930s and 1960. But the majority of the miniseries covered JFK’s presidency. In my opinion, ”THE KENNEDYS” should have ended with JFK’s funeral, following his assassination in Dallas. I realize that the miniseries also featured the lives of Bobby, Jacqueline, Joseph Senior, Rose and Ethel’s live in heavy doses, it still centered on Jack Kennedy. By continuing into one last episode that covered Jacqueline and Bobby’s lives following the President’s death, it seemed to upset the miniseries’s structure. If that was the case, the setting for ”THE KENNEDYS” should have stretched a lot further than the 1960s.

But despite my complaints, I still enjoyed "THE KENNEDYS". For one thing, it did not bore me. The pacing struck me as top notch. And it lacked the dry quality of the more well-received 1983 miniseries, "KENNEDY". Although I believe that particular miniseries was superior to this new one, it sometimes felt more like a history lesson than a historical drama. It is possible that the additions of sequences featuring the family’s personal lives and scandals may have prevented me from falling asleep. But even the scenes that featured JFK’s presidency struck me as interesting – especially the scenes about the failed Bay of Pigs invasion in Episode Three. I also enjoyed the flashbacks that supported the miniseries’ look into Joseph Kennedy Senior’s control over his children and the shaky marriage between JFK and Jacqueline. At least two particular flashbacks focused upon JFK’s affair with Hollywood icon Marilyn Monroe, and its near effect upon younger brother Bobby. One scene that really impressed me was Bobby’s first meeting with the starlet. Thanks to Cassar’s direction, along with Barry Pepper (Bobby Kennedy) and Charlotte Sullivan’s (Marilyn Monroe), the scene reeked with a sexual tension that left viewers wondering if the pair ever really had a tryst. Both Greg Kinnear and Katie Holmes gave outstanding performances in two particular scenes that not only featured the explosive marriage between the President and First Lady, but also the depths of their feelings toward one another. The miniseries also scored with Rocco Matteo’s production designs. I was especially impressed by his re-creation of the White House, circa 1961. I was also impressed by Christopher Hargadon’s costume designs. He did a first-rate job in not only capturing the period’s fashions for both the male and female characters, but also in re-creating some of Jacqueline Kennedy’s more famous outfits.

Aside from the pacing, the miniseries’ biggest strength turned out to be the cast. I have already commented upon Charlotte Sullivan’s excellent performance as Marilyn Monroe. But she her performance was not the only supporting one that impressed me. Kristin Booth gave a top-notch portrayal of Bobby Kennedy’s wife, Ethel. And she did this without turning the late senator’s wife into a one-note caricature, unlike other actresses. I was also impressed by Don Allison’s turn as future President, Lyndon B. Johnson. However, there were moments when his performance seemed a bit theatrical. I also enjoyed how both John White and Gabriel Hogan portrayed the rivalry between a young JFK and Joseph Junior during the late 1930s and early 1940s, with a subtlety that I found effective. However, both Tom Wilkinson and Diana Hardcastle really impressed me as the heads of the Kennedy clan – Joseph Senior and Rose Kennedy. They were really superb. Truly. I was especially impressed by Wilkinson’s handling of his New England accent, after recalling his bad American accent in 2005’s "BATMAN BEGINS". And I had no idea that Diana Hardcastle was his wife. Considering their strong screen chemistry, I wonder if it is possible for husband and wife to act in front of a camera together, more often. 

The best performances, in my opinion, came from Greg Kinnear, Katie Holmes and Barry Pepper as JFK, Jacqueline Kennedy and Bobby Kennedy, respectively. For some reason, Pepper’s portrayal of Bobby seemed to keep the miniseries grounded. He did a great job in capturing the former senator and Attorney General’s ability to maintain solidarity in the family; and also his conflict between continuing his service to JFK and the family, and considering the idea of pursuing his own profession. Greg Kinnear’s take on JFK struck me as different from any I have ever seen in previous movies or television productions. Yes, he portrayed the style, charm, intelligence and wit of JFK. He was also effective in conveying the President’s conflict between his lustful desires for other women, his love for his wife and any "alleged" guilt over his infidelity. There seemed to be a slightly melancholy edge in Kinnear’s performance that I have never seen in other actors who have portrayed JFK. But I feel that the best performance came from Katie Holmes in her portrayal of First Lady Jacqueline Kennedy. Personally, I thought it was worthy of an award nomination. However, I doubt that anyone would nominate her. Pity. I thought she did a superb job in capturing not only the style and glamour of the famous First Lady, but also the latter’s complex and intelligent nature.

I am well aware that most critics were not impressed by the miniseries. Hell, I am also aware that a good number of viewers have expressed some contempt toward it. I could follow the bandwagon and also express a negative opinion of "THE KENNEDYS". But I cannot. It is not the best production I have ever seen about the famous political family. It did not really provide anything new about the Kennedy family and as far as I am concerned, it had one episode too many. But I was impressed by Jon Cassar’s direction, along with the outstanding cast and first-rate production and costume designs. And thinking about all of this, I still do not understand why the History Channel went through so much trouble to reject the miniseries’ airing on its network.

Friday, August 12, 2016

"THE KENNEDYS" (2011) Photo Gallery



Below are images from the new miniseries, "THE KENNEDYS". Directed by Stephen Kronish, the eight-part miniseries stars Greg Kinnear, Barry Pepper, Katie Holmes, Diana Hardcastle and Tom Wilkinson: 

"THE KENNEDYS" (2011) Photo Gallery





























































Sunday, October 25, 2015

"DUPLICITY" (2009) Review

Duplicity (2009)


"DUPLICITY" (2009) Review

Several years ago, "BOURNE" franchise scribe/director Tony Gilroy went another direction and wrote and directed this 2009 comedy thriller that barely earned a profit at the box office. This romantic spy flick centered around a pair of romantically involved former intelligence spies who team up for a business scam that would allow them to enjoy an extravagant lifestyle together. 

"DUPLICITY" began five years in the past in which MI-6 agent Ray Koval is ordered to seduce and spy upon a woman named Claire Stenwick, who unbeknownst to him, is a CIA agent. After Claire drugs Ray and steals classified documents from him. The movie's opening shifts to a physical fight between CEOs Howard Tully of Burkett & Randle and Dick Garsik of Equikrom, establishing the longstanding professional rivalries between the pair. Several years later, Ray, who has become a corporate spy for Equikrom, encounters Claire in New York City. He eventually discovers that she has been an Equikrom corporate spy, working undercover at Burkett & Randle. Ray and Claire decide to create a con job in which they manipulate a corporate race between Tully and Garsik to corner the market on a medical innovation. A con job they hope will reap huge profits for them. 

When I first saw the trailer for "DUPLICITY", I figured that Gilroy would have a smash hit on his hands. He had two leads whose screen chemistry had already been established in the 2004 romantic drama, "CLOSER". He also had Paul Giamatti and Tom Wilkinson (both fresh from winning awards for their performances in the 2008 HBO miniseries, "JOHN ADAMS"). And he had an interesting story line. What could go wrong? Apparently, a good deal went wrong.

To be honest, "DUPLICITY" was not a terrible movie. The four leads and the supporting cast provide excellent performances – especially Roberts and Owen. And Gilroy managed to write a very witty script. Unfortunately, I also found his script slightly confusing thanks to the flashbacks that featured Roberts and Owen’s budding romance and a slow build up to their scheme to scam Giamatti and Wilkinson. But what prevented "DUPLICITY" from being a winner for me was the ending. As it turned out, Wilkinson’s character had been aware of the scheming ex-spies all along and used them to bankrupt his rival, Giamatti, with phony plans for a new medical innovation. A flashback revealing the listening bug in Roberts’ apartment revealed how he had learned of their scheme. But the movie failed to explain how he had become suspicions of the two in the first place. I also have to add that I was disappointed that Roberts and Owen’s characters had failed to succeed in their scheme. I usual hate these ironic of endings in comedic movies that feature con artists.

What else can I say? "DUPLICITY" featured some excellent performances from Julia Roberts (who had earned a Golden Globe nomination for Best Actress in a Comedy for her performance), Clive Owens and the rest of the cast. Tony Gilroy's screenplay also featured a good deal of witty humor. But if anyone plans to watch this film and expects a well written and fascinating narrative, I suspect that viewer might end up disappointed. I certainly was.

Thursday, October 24, 2013

"VALKYRIE" (2008) Review




"VALKYRIE" (2008) Review

When I had first learned that ”VALKYRIE”, a movie about the final assassination attempt upon Adolf Hitler, would be released on Christmas Day . . . I was surprised. Honestly. And my response had nothing to do any opinion I have about the film. Let me explain.

One has to understand that ”VALKYRIE” had gone through a great deal of turmoil to get made. Whatever problems the movie’s production had encountered, its biggest obstacle turned out to be the casting of Tom Cruise in the lead role of Lieutenant Colonel Claus von Stauffenberg, the architect of this last assassination attempt that occurred on July 20, 1944. Many German politicians had protested against the idea of a practicing Scientologist like Cruise portraying someone who has become regarded as a hero for his opposition against Hitler. Even members of von Stauffenberg’s family had joined in the protest. The filmmakers of ”VALKYRIE” initially had difficulty setting up filming locations in Germany due to the controversy, but they were later given leeway to film in locations pertaining to the film's story, such as Berlin's historic Bendlerblock. Also, Cruise’s popularity with the American public has sunk over the past three years. Considering that many of the negative comments about the actor seemed to have stemmed from his Scientology beliefs, it seemed to me that religious bigotry had played a large role in the hard feelings against him.

Early in 2008, MGM/United Artists released trailers of ”VALKYRIE”. Personally, I found them impressive and I was happy to learn that the movie was scheduled June 2008 theater release. But due to the poor response to the trailers and MGM/United Artists's initial marketing campaign, the studio executives moved the movie’s release date from June 2008 to February 2009. I was surprised to learn that ”VALKYRIE” had another black mark against it – namely director Bryan Singer. He had built a reputation as a first-rate director with movies such as ”THE USUAL SUSPECTS” and the first two films from the ”X-MEN” franchise. Unfortunately, his reputation hit a snag when the release of the over-budgeted ”SUPERMAN RETURNS” failed to impress the critics and make a profit for the studio that released it. I figured that MGM/United Artists was simply going to allow ”VALKYRIE” languish in the theaters during the off season following Christmas, never to be heard of until its DVD release. Thankfully, MGM/United Artists proved me wrong. A few months ago, the studio executives announced that ”VALKYRIE” would be released on Christmas Day for the movies holiday season. When the film was finally released, I rushed out to see it as soon as I possibly could.

As I had earlier stated, ”VALKYRIE” told the story of the July 20, 1944 plot by German army officers to assassinate Adolf Hitler. Ever since the years before World War II, there had been a growing number of dissidents that viewed Hitler as the wrong man to be Germany’s leader. This opposition; which included German officers like Ludwig Beck, Henning von Tresckow and Claus von Stauffenberg; led to a series of assassination attempts on Hitler – including one plotted by von Tresckow in March 1943. By September 1943, one of the dissidents, General Friedrich Olbricht, recruited Lieutenant-Colonel von Stauffenberg into their ranks. It was his plan – code name ”Valkyrie” - that led to the last attempt to kill Adolf Hitler on July 20, 1944. Directed by Bryan Singer, the movie stars Tom Cruise as Claus von Stauffenberg. The cast also includes Bill Nighy, Terence Stamp, Kenneth Branagh, Jamie Parker, Eddie Izzard, Christian Berkel, David Schofield, Kevin McNally, Thomas Kretschmann and Tom Wilkinson. Christopher McQuarrie and Nathan Alexander wrote the screenplay.

I might as well get around to it and reveal my opinion of ”VALKYRIE”. In a nutshell . . . I loved it. Which surprised me a great deal. I had expected to like ”VALKYRIE”, considering the cast, the director and the subject matter. Or at least find it interesting. I had no idea that I would end up experiencing a gauntlet of emotions while watching it. Mere curiosity was the only emotion I had felt while the movie introduced the main characters and revealed the incidents that led to von Stauffenberg’s decision to join the conspiracy against Hitler. By the time the movie focused upon the assassination attempt and the coup against the S.S., I felt myself growing tense with anxiety and anticipation. By the time the conspirators’ plot began to unravel, the tension I felt had been replaced by dread. And when von Stauffenberg and his co-conspirators were being captured and executed, I watched the scenes unfold with tears in my eyes. Curious.

The excellent performances by the cast happened to be one of the reasons why ”VALKYRIE” struck such an emotional chord within me. This is one of the reasons why I like Bryan Singer as a director. He knows how to utilize his cast – whether each performer has a major role or not. And Singer made the best of what proved to be a first-rate cast. I could go into details about every actor or actress in the cast, but I must admit that a handful managed to catch my attention. One member of the cast turned out to be Thomas Kretschmann, who portrayed Major Otto Ernst Remer, head of a Reserve Army battalion. The actor’s sardonic portrayal of Remer amused me to no end. Tom Wilkinson gave a top-notch performance as General Friedrich Fromm, head of Germany's Reserve Army in Berlin. Wilkinson did an excellent job of portraying the treacherous general with a slight touch of sympathy. Another actor that caught my attention was Jamie Parker. He portrayed Lieutenant Werner von Haeften, an adjutant to von Stauffenberg who helped the latter carry out the plot. Parker did a great job in portraying von Haeften’s intense loyalty to von Stauffenberg. In fact, he and Cruise managed to create a strong screen chemistry together. Terence Stamp was excellent as the reserved, yet strong-willed Ludwig Beck, a former Army general whose opposition against Hitler began in the late 1930s and served as the conspirators’ figurehead. Bill Nighy portrayed General Friedrich Olbricht, Chief of the Armed Forces Replacement Office (Wehrersatzamt) at the Oberkommando der Wehrmacht and the original architect of the plan, Operation Valkyrie. It was Olbricht who had recruited von Stauffenberg into the conspiracy. For the past five to six years, I have always regarded Nighy as some kind of chameleon. And with his performance, he did an excellent job of revealing at both the vacillating and stalwart sides of Olbricht’s nature.

But the true focus of ”VALKYRIE” was Claus von Stauffenberg and it was Tom Cruise’s job to make this man believable to the audience. Some critics have complained that Cruise had failed to capture the essence of von Stauffenberg’s character as an aristocrat. Many of them blamed this on the actor’s American accent. Personally, I find this criticism to be a load of crap. After all, the 1988 version of ”DANGEROUS LIAISONS” featured American actors portraying French aristocrats . . . with American accents. And I do not recall any complaints about their performances. I especially find the criticisms against Cruise ludicrous, considering that most of the cast featured British actors – using accents from all over the British Isles. What was my view of Cruise’s performance as Claus von Stauffenberg? I thought he was excellent. His portrayal of the German Army officer was that of a hero – and a very stalwart one at that. On the other hand, Cruise also did a first-rate job of capturing von Stauffenberg’s arrogance – a trait that was probably a by-product of his aristocratic background. This trait also managed to get the officer into a great deal of trouble even before his participation in the assassination attempt. But . . . most of the critics were too busy being distracted by Cruise’s American accent, while paying scant attention to the British accents of many of the other actors. Go figure.

Anyone familiar with Claus von Stauffenberg or the July 20, 1944 plot to kill Adolf Hitler would have known the outcome of the movie’s story. I certainly did. But despite my knowledge of the outcome, I found myself being caught up in the suspense of the story, thanks to Bryan Singer’s direction and the screenplay written by Christopher MacQuarrie and Nathan Alexander. I had assumed that most of the story would center on the conspirators’ plotting and set up of the assassination attempt. I had no idea there was more to the story surrounding the incident – namely the coup perpetrated by von Stauffenberg and his co-conspirators against Hitler and the S.S. Nor did I have any idea that knowing how the story would end, I would find myself rooting . . . hoping that the conspirators would succeed in their plans. Or escape Hitler’s wrath. The only hiccup in the movie – at least for me – was the introduction of Major General Erich Fellgiebel (Eddie Izzard) into the story. I found it confusing. Was he already part of the conspiracy when von Stauffenberg first approached? Or what? For me, it was only misstep in an otherwise superb script.

With a first-rate cast led by Tom Cruise, along with Christopher MacQuarrie and Nathan Alexander’s script, Bryan Singer directed an exciting and suspenseful tale that managed to tap into a great deal of emotions for me. From my personal view, I believe that ”VALKYRIE” is one of the better movies of 2008.

Thursday, July 25, 2013

"VALKYRIE" (2008) Photo Gallery




Below are photos from the 2008 Bryan Singer World War II thriller about the last assassination attempt upon Adolf Hitler. "VALKYRIE" stars Tom Cruise, Bill Nighy, Kenneth Branaugh, Tom Wilkerson and Terence Stamp: 


"VALKYRIE" (2008) Photo Gallery
















































Wednesday, January 2, 2013

"BATMAN BEGINS" (2005) Review





”BATMAN BEGINS” (2005) Review

When Christopher Nolan’s reboot of the BATMAN franchise first made its debut during the summer of 2005, many critics and moviegoers hailed it as the second coming. They also viewed it as a vast improvement over the four films released between 1989 and 1997. Since then, ”BATMAN BEGINS” has been overshadowed by its 2008 sequel, ”THE DARK KNIGHT”. After a recent viewing of the 2005 movie, I must admit that I have a deeper attachment for it.

”BATMAN BEGINS” was basically an origin tale about the scion of a wealthy Gotham City family, who endured a personal tragedy before become a costumed vigilante. The movie began in a Chinese person where Bruce Wayne was serving time for robbery. A mysterious man named Henri Ducard offered to arrange for Bruce’s freedom if the latter would consider joining his organization called the League of Shadows. Once Bruce began his training under Ducard’s tutelage, flashbacks revealed his childhood; his friendship with Rachel Dawes, the daughter of a family servant; his parents’ tragic deaths; and the murder of their killer. Once Bruce’s training ended, Ducard and the League’s head - Ra's al Ghul – ordered the Gotham City native to execute a murderer they had captured. They also revealed their intent to destroy Gotham City, due to its growing corruption. Unwilling to become an executioner and appalled by the League’s plans for Gotham, Bruce began a fight that led to the Temple’s destruction. After Bruce saved Ducard’s life, he returned to Gotham City to commence his life as the vigilante, the Batman.

Aside from a few minor problems that I will discuss later, I must admit that after four-and-a-half years, I enjoyed ”BATMAN BEGINS” more than ever. One, I thought that Christopher Nolan and fellow screenwriter David S. Goyer did an exceptional job in revealing Bruce Wayne’s childhood and the circumstances that led him to China in flashbacks. Very exceptional. Also, through Bruce Wayne/the Batman, Henri Ducard and other characters, the screenwriters managed to convey the pitfalls of vigilantism. Considering the movie’s title, I thought Nolan and Goyer also did an excellent job in presenting a examination of the main character.

Speaking of the main character, Christian Bale earned a well deserved Saturn Award for his portrayal of Bruce Wayne/the Batman. I only wish that Bale could have received a Golden Globe or Academy Award nomination, as well. He did a superb job of capturing all of the nuances of Bruce’s personality. Even more impressive was the way he developed the character from an immature and vengeful twenty-something young man to the somewhat more wiser thirty-something man who had learned to restrain himself from allowing his penchant for vigilantism to spiral out of control. Unless Nolan used a stunt man for Bruce/Batman's action scenes, I thought that Bale managed to handle the action - especially the fight scenes - very well. Was this his first time in dealing with heavy action sequences? Someone please let me know.

I must admit that I have been a fan of Liam Neeson for a long time, admiring his array of performances that included a randy Irish ghost, a Jedi Master, the ambiguous Oskar Schindler and a determined ex-CIA agent searching for his kidnapped daughter. I cannot honestly say that his best role was Henri Ducard, Bruce Wayne’s mentor. But I would probably view it as one of his better roles. Most people have compared his Ducard to his performance as Jedi Master Qui-Gon Jinn in ”STAR WARS: The Phantom Menace”. Perhaps. However, I saw major differences in the two roles. Ducard turned out to be a darker character, who despite his words of wisdom, was unable to let go of his past tragedy. Instead, he used it to inflict his desire to punish the guilty and the corrupt through some of the most Draconian means possible. Neeson did a beautiful job in capturing not only Ducard’s wisdom, but also his subtle, yet psychotic personality. In some ways, his Ducard was a lot scarier than the Joker in ”THE DARK KNIGHT”. Only, his villainy was not as colorful. And like Bale, he had earned a Saturn Award nomination. Only he lost to Mickey Rourke (”SIN CITY”). Hmmmm.

On the other hand, Katie Holmes was given a Golden Raspberry Award nomination for Worst Supporting Actress for her portrayal of Bruce’s childhood friend and Gotham’s crusading Assistant District Attorney, Rachel Dawes. And for the likes of me, I do NOT understand why. I found nothing wrong with her performance. I thought she did a splendid job portraying Rachel as Bruce and Gotham City’s moral center. I especially enjoyed her scenes with not only Bale, but also her confrontations with Cillian Murphy’s Dr. Jonathan Crane/the Scarecrow. Many have praised Maggie Gyllanhaal’s portrayal of Rachel in ”THE DARK KNIGHT’. Personally? I think that Holmes was lucky not to appear in the 2008 film. At least her Rachel Dawes had not written as a mere object of desire and a barely irrelevant character.

Speaking of Cillian Murphy, I truly enjoyed his performance as Dr. Jonathan Crane, the cold-blooded and manipulative city psychiatrist who became arch villain, the Scarecrow. He did an excellent job in conveying the character’s subtle villainy and sardonic wit. Another villain that possessed the same wit turned out to be Gotham City’s crime boss, Carmine Falcone. Although Tom Wilkinson portrayed the character with a good deal of wit and verve, it seemed a pity that his performance was nearly ruined by a questionable American accent seemed like a bad parody of a old Warner Brothers gangster character. Michael Caine, Morgan Freeman and Gary Oldman portrayed mentors and allies for Bruce Wayne/the Batman – faithful butler Alfred Pennyworth, Wayne Enterprises executive Lucius Fox and police sergeant Jim Gordon, respectively. And they all did solid jobs; especially Caine, whose wisdom and concern for his employer’s personal life allowed him to be Bruce’s true mentor.

Linus Roache portrayed Thomas Wayne, Bruce’s doomed father. He gave a solid performance, but I found his American accent rather questionable. And I also had other problems with Bruce’s parents. One, they seemed impossibly good – almost pure. And I found that aspect of their portrayal a bore. Two, Thomas and Martha Wayne must have also been incredibly stupid. The Wayne family went to the opera via public transportation. Okay, perhaps I can excuse that on the grounds that perhaps they could not afford a limousine or wanted to save gas. But when Bruce wanted to leave the opera early, they left the theater through the goddamn back door. No wonder that thug, Joe Chill, was able to accost them so easily.

Speaking of problems, I have a few more regarding ”BATMAN BEGINS”. One, I hate the growl that Bale had used, while portraying the Batman. There were times when I found Bale slightly coherent and I also found it unnecessary and annoying. Two, I have a problem with Ra's al Ghul, the so-called leader of the League of Shadows whom Bruce had killed in Tibet (or China). Apparently, the Gotham City native had killed a psychic manifestation of Ducard’s mind. How Ducard managed to create this manifestation and how Bruce managed to kill it were plot points that Nolan and Goyer failed to explain.

When all is said and done, I must admit that I really enjoyed ”BATMAN BEGINS”. Personally, I feel that Christopher Nolan and David S. Goyer had written a better movie than ”THE DARK KNIGHT”, despite its flaws. The movie not only featured excellent direction from Nolan and an interesting score by Hans Zimmer and James Newton Howard, it also had top-notch performances from Christian Bale, Liam Neeson and the rest of the cast . . . even those with questionable American accents. In fact, I would go as far to say that I consider it to be one of my favorite comic book movie ever made.

Thursday, October 18, 2012

"BATMAN BEGINS" (2005) Photo Gallery




Here is a photo gallery featuring images from the 2005 film, "BATMAN BEGINS". Directed by Christopher Nolan, the movie starred Christian Bale as Bruce Wayne/Batman, Katie Holmes, Liam Neeson, Gary Oldman, Cillian Murphy, Tom Wilkinson, Ken Watanabe, Morgan Freeman and Michael Caine:


"BATMAN BEGINS" (2005) Photo Gallery