Showing posts with label josh brolin. Show all posts
Showing posts with label josh brolin. Show all posts

Thursday, November 15, 2012

"MEN IN BLACK 3" (2012) Review





"MEN IN BLACK 3" (2012) Review

After 2002's "MEN IN BLACK II", I never thought I would ever see another movie from the franchise based upon Lowell Cunningham's The Men in Black comic book series. Never. After all, it was not exactly a critical success and was barely a commercial hit. And yet . . . the team from the first two movies went ahead and created a third one for the franchise.

"MEN IN BLACK 3" picks up ten years after the last movie. Boris the Animal, the last surviving member of the Boglodite species, escapes from the LunarMax prison on Earth's moon with the intention of seeking revenge against the MIB agent responsible for his arrest and loss of arm - Agent K. The latter discovers during a skirmish he and Agent J experience at a local Chinese restaurant that Boris has escaped. Unfortunately for Agent K, Boris arrives in Manhattan and seeks Jeffrey Price, the son of a fellow prisoner who had possession of a few time-jump mechanisms. Not much time passes before Agent K disappears from existence and Agent J is the only one who remembers his partner.

Agent O, who is MIB's new Chief following Zed's passing, deduces from Agent J's statements that a fracture has occurred in the space-time continuum. The two realize Boris must have time-jumped to 1969 and killed K. And now an imminent Boglodite invasion threatens Earth, due to the absence of the protective ArcNet that K had installed in 1969. J acquires a similar time-jump mechanism from Price, jumps off the Chrysler Building in order to reach time-travel velocity, and arrives in July 1969, a day before Boris kills K.

When I learned that Steven Spielberg, director Barry Sonnenfeld, Will Smith and Tommy Lee Jones planned to do a third MEN IN BLACK movie; I could only shake my head in disbelief. Mind you, I did not dislike the second film. But it seemed a disappointment in compare to the quality of 1997 original movie. But in the end, I could not say no to a MEN IN BLACK movie. And thank God I did go see it.

Now, "MEN IN BLACK 3" was not perfect. There were a few aspects about Etan Cohen's screenplay that left me scratching my head. If Boris the Animal (oops! I mean Boris) had been imprisoned in the LunarMax prison for over 40 years, how on earth did Boris' girlfriend Lily, who helped him escape, learn about his existence in the first place? I am also a little confused about Agent J and Agent K's ages. According to 1997's "MEN IN BLACK", Agent k was a teenager in New Jersey when he experienced his first alien encounter before becoming a member of the Men in Black agency in 1961 or 1962. Yet, according to Cohen's script, Agent K was a Texas native born in 1940. As for Agent J, he was at least four years old in July 1969. Which makes him at least 46 or 47 years old in this story. I could have sworn he was at least three or four years younger. Oh well.

However, by the time I became deeply engrossed in the story, I managed to forget these questionable aspects of "MEN IN BLACK 3". I believe that "MEN IN BLACK" is the funnier movie. I cannot deny this. However, I feel that "MEN IN BLACK 3" had the best plot of the three films. Time travel tends to be a hit-or-miss topic when it comes to the science-fiction genre. Aside from the questionable aspects of Agents K and J's ages, I feel that "MEN IN BLACK 3" provided a first-rate time travel story. One, Agent J proved to be the right character chosen for a time travel mission. Being over twenty years younger than his partner, he was the right person to see New York City and Cape Canaveral in 1969. Boris' reasons for time travel proved to be a heady mixture of personal vengeance and the successful completion of his original mission to kill a refugee alien named Griffin, who possessed the ArcNet, a satellite device that would prevent Boris' species, the Boglodites, from invading Earth and destroying mankind. Agent J's time travel adventures gave audiences two peaks into what it must have been like for an African-American in the 1960s New York - something that the TV series "MAD MEN" more or less failed to do after five seasons. Kudos to director Barry Sonnenfeld for keeping this fascinating tale hilarious, poignant and on track.

Not only did "MEN IN BLACK 3" provided a first-rate time travel story, it also possessed some memorable scenes that I will never forget. My favorite scenes include the brief, yet bizarre memorial service for the recently dead Agent Zed; Agents K and J's skirmish with some truly bizarre agents at a Chinese restaurant that I would not recommend to humans; Agent J's initial time jump to 1969; J's hilarious elevator encounter with a bigot fearful of being in close proximity with a black man; Agent J and young Agent K's very funny and surprising meeting with "Andy Warhol" at the latter's factory; the two agents' meeting with Griffin at Shea Stadium; the meeting between old and young Boris in 1969; and Agent J's discovery at Cape Canaveral of the true reason behind K's strange behavior at the beginning of the story. But my favorite moment featured Agent J's discovery that Agent K's habit of ordering pie was even frustrating in the past.

The production for "MEN IN BLACK 3" was also first-rate. Danny Elfman continued his outstanding work in providing a score similar to the franchise's signature theme. I found Bill Pope's photography to be rather sharp and colorful - especially the 1969 segments. Don Zimmerman did outstanding work as the film's editor. I was especially impressed by his work in the time jump sequence and the showdown between the MIB agents and Boris at Cape Canaveral. And both Mary E. Vogt's costume designs and Bo Welch's production designs perfectly recaptured the end of the 1960s.

As for the performances . . . what can I say? The cast gave some truly outstanding performances in this film. Will Smith was absolutely marvelous as the time traveling Agent J. I thought he gave one of his best performances in a role that required him to be funny and poignant at the same time. I suspect that he more or less carried the movie on his shoulders. But he had fine support from a wonderful Tommy Lee Jones, who allowed audiences another peek into a personality who hid his emotions behind a stoic mask. I just never thought his emotions would be directed at Smith's Agent J. And I never thought Spielberg and Sonnenfeld would find someone who not only could perfectly portray a younger Agent K, but create a similar screen dynamic with Smith. And Josh Brolin proved to be the man who did the job. He was fantastic.

Emma Thompson portrayed Agent O, the new leader of the Men in Black agency. And I adored her performance, especially the scene that required her to give a eulogy for Zed at his memorial . . . in an alien language. Alice Eve was charming as the younger Agent O. She and Brolin had a nice chemistry going as two MIB agents attracted to one another. What can I say about Michael Stuhlbarg's performance as the precognitive alien, Griffin? Oh God, he was so wonderful. He portrayed Griffin with a delicious mixture of wisdom and naivety. I wanted to gather him in my arms and squeeze him like a teddy bear. Someone once commented (or complained) that New Zealand comic Jemaine Clement as the movie's main villain, Boris the Animal. Frankly, Clement was a lot more scary than funny. But he did have one scene that left me rolling in the aisles with laughter - namely Boris' encounter with his younger self in 1969. Even more important, Clement portrayed Boris once scary and resourceful villain.

What else can I say about "MEN IN BLACK 3"? Sure, it had a few glitches regarding the plot and the two main characters' ages. But thanks to Etan Cohen's script that featured an outstanding time travel story, outstanding performances from a cast led by Will Smith, Tommy Lee Jones and Josh Brolin; the movie turned out to be a first-rate addition to the franchise and one of my favorite movies of the summer of 2012. Thank you Barry Sonnenfeld! You have not lost your touch.



Thursday, August 30, 2012

"MEN IN BLACK 3" (2012) Photo Gallery



Below are images from "MEN IN BLACK 3", the third entry in the MEN IN BLACK franchise. Directed by Barry Sonnenfeld, the movie stars Will Smith, Tommy Lee Jones, Josh Brolin and Emma Thompson:


"MEN IN BLACK 3" (2012) Photo Gallery


















































Thursday, October 27, 2011

"INTO THE WEST" (2005) - Jacob Wheeler and the Awareness of Self




"INTO THE WEST" (2005) – Jacob Wheeler and the Awareness of Self

Many people would usually consider the topic of Self Awareness when discussing New Age religions or Eastern mysticism. Characters from a Western television miniseries seems like the last thing anyone would think of when discussing the meaning of Self. Yet, a major character led me to consider this very topic, while re-watching Steven Spielberg’s 2005 miniseries about two families – Lakota and western Virginia - called "INTO THE WEST".

"Self" has been described as the essential self or the core of an individual. A person who has learned to live one’s life with a strong sense of Self is considered as someone who has achieved or come close to a level of self-actualization - namely, achieving personal growth through accepting the true core of oneself. If there is one character in "INTO THE WEST" who seemed to personify self-actualization, it was Thunder Heart Woman (Tonazin Carmelo and later Sheila Tousey), the Lakota woman who had married into the Wheeler family. I am not saying that Thunder Heart Woman was a person with no insecurities, personal demons or anything of the sort. But of all the major characters, she seemed to be more in tune of what and more importantly, who she was.

In the miniseries’ second episode titled, "Manifest Destiny", Thunder Heart Woman had seemed impervious to the Wheeler family's attitude toward her, during her immediate family’s short stay with her in-laws in Virginia. Even when faced with the disapproval of a German minister and fellow wagon immigrant called Preacher Hobbes (Derek de Lint), she remained impervious to his bigotry. At least according to her husband’s narrative. But this essay is not about Thunder Heart Woman. It is about one of the men in her life – the one love in her life, who managed to catch my attention. Namely one Jacob Wheeler (Matthew Settle and later John Terry).

The third of four brothers from a Virginia wheelwright family, Jacob Wheeler seemed very similar to his Lakota wife – the type of person that seemed to know his own mind. The miniseries’ first episode, ”Wheel to the Stars” revealed that Jacob’s Virginia family seemed to view him as a non-conformist . . . or oddball. He, in turn, regarded his hometown of Wheelerton, Virginia; his family and its profession with mild contempt. In short, this young Virginian was a fish out of water in 1825 America and he knew it. This would explain Jacob’s longing to see the world beyond his hometown and the eastern United States. He did not hesitate to express his enthusiasm for the West. After meeting mountain man James Fletcher (Will Patton), he immediately set out to achieve his desire to leave Wheelerton.

Possessing a talent for persuasion, Jacob managed to convince two of his brothers – Nathan (Alan Tudyk) and Jethro (Skeet Ulrich) – into joining his trek to the West. Jethro turned back at the last minute and Nathan ended up accompanying him. After Jacob and Nathan parted ways in St. Louis, the former caught up with Fletcher and famed mountain man, Jedediah Smith (Josh Brolin) and convinced the latter to allow him to accompany Smith’s expedition to California. I could probably list a number of examples of Jacob’s talent for persuasion, along with his exuberant and non-conformist nature. What I had failed to mention was that he possessed a strong and stubborn will to achieve what he desired. A perfect example of this was his determination to return to California after he, Smith and their fellow mountain men had been kicked out of the province by Mexican authorities. Not only did Jacob manage to achieve this goal, he did so at a great price. And yet . . . one of the interesting aspects of the Jacob Wheeler character is that despite possessing a strong will and extroverted nature, he also had certain vulnerable characteristics and insecurities. Especially insecurities. In both ”Wheel to the Stars” and ”Manifest Destiny”, Jacob’s relationships with his Wheelerton family and Thunder Heart Woman revealed just how insecure he could be.

Jacob seemed to have a rather peculiar relationship with his Virginia family. Despite regarding them with contempt for their provincial attitudes, he had also allowed their attitudes to bring out his own insecurities. His grandfather Abraham (Ken Pogue), his father Enoch (Serge Houde) and his three brothers – Nathan, Ezra (Joshua Kalef) and Jethro – either derided or teased him about his lack of interest in the family’s wheelwright business. And all of them viewed Jacob as a daydreamer with no sense of family duty or any common sense. The Wheelers have never hesitated to express their low opinion of Jacob’s desire to experience life beyond Wheelerton. I cannot help but wonder if the Wheelers’ contempt toward Jacob’s non-conformist ways had bred a sense of insecurity within him. Or if this insecurity was one of the reasons behind his desire to escape Wheelerton for the west.

It is possible that I may have stumbled across one result from Jacob’s less-than-ideal relationship with his Virginia family. I do not know if anyone else had noticed, but it seemed to me that whenever any of the other Wheelers teased, ranted or expressed contempt toward Jacob or his views on the West, he rarely bothered to defend himself. Jacob did not defend himself whenever his brothers mocked him at the dinner table.; when Jethro made the ”tail tucked between your legs” comment, following Jacob’s return to Wheelerton in ”Manifest Destiny”; and when Enoch accused him of luring both Nathan and later, Jacob to the West. Instead of defending himself, Jacob merely remained silent in an effort to ignore the hurtful comments.

However, there have also been moments when he did defend himself. Jacob made a snarky comment about his grandfather Abraham’s penchant for rambling on about his past as Revolutionary War veteran and the family’s business. And the elderly man reacted in such a vitriolic manner that I found myself wondering if Jacob had ended up with a new hole in his backside. When Nathan raged against him for helping an escaped slave named Ben Franklin (Sean Blakemore) in Tennessee, Jacob insisted they had done the right thing considering that Ben had earlier released Nathan after holding him hostage with a knife. And when Nathan lost his temper over Jacob’s refusal to follow him to Texas, the younger brother merely insisted upon continuing his intention to join Jedidiah Smith’s expedition.

One could only wonder why Jacob had rarely bothered to defend himself against his family’s scorn. Did he share Thunder Heart Woman’s talent for imperviously ignoring the scorn and prejudices of others? I rather doubt it. Whereas Thunder Heart Woman had seemed unconcerned by others, Jacob’s face tends to express his pain or embarrassment caused by his family’s attitudes. I suspect that deep down, Jacob longed for not only his family’s respect, but their acceptance of his true self. But unlike many people, he was not willing to change his nature for the Wheelers or anyone else’s acceptance.

Why did Jacob decide to return to Wheelerton with his pregnant wife and daughter after eleven years in the West? In his narration, Jacob claimed that he wanted Thunder Heart Woman and his daughter Margaret Light Shines (Elizabeth Sage, later Irene Bedard) to meet his Virginia family. Perhaps he was telling the truth. Yet, a part of me found that hard to believe. The moment Jacob began to enjoy his Lakota in-laws’ hospitality, he felt certain that his own family extend the same kind of warmth to his wife. And yet . . . he had insisted upon returning to Virginia. Why? Had Jethro hinted the truth in his ”tail tuckered between his legs” comment – that Jacob encountered nothing but failure in the West and returned back to Virginia for a livelihood? Or was it something deeper? Perhaps a last chance for Jacob to seek final acceptance from his family? Who knows.

Whatever Jacob had sought in 1836 Virginia, he did not find it. His father Enoch revealed that the family’s wheelwright business had suffered a setback, due to the economic depression that struck the United States in the mid and late 1830s. And the Wheelers seemed no more closer in accepting Jacob for himself or his Western family. His cousin, Naomi Wheeler (Keri Russell) viewed Indians as non-human. His brother Ezra regarded Thunder Heart Woman as a mere ”squaw”. Naomi’s sister, Rachel (Jessica Capshaw), viewed young Margaret’s hand as a piece of dung. And Enoch seemed to act as if his new daughter-in-law and grandchildren did not exist. No wonder Jacob ended up complaining about the Wheelers’ treatment of his Lakota family.

Eventually, Jacob decided to take his wife and children and return to the West permanently – preferably Californa. It seemed the Wheelers’ continuing disregard toward them – along with news of his idol Jedediah Smith’s death – led to this decision. He almost seemed cold and distant toward his parents and Ezra. But he did not count on Jethro and his three female cousins’ decision to accompany him to California. Apparently, not all of the Wheelers viewed him as an oddball for his preference for the West. Jacob seemed heartened by Jethro’s decision to join him. And although Naomi, Rachel and Leah’s (Emily Holmes) decision to join the trek West took him by surprise, Jacob readily accepted their company. In the following narration, he came to this conclusion:

”I hope that I would prove equal to the responsibility I had undertaken.”

I found this comment rather odd. Jethro and the three cousins had been determined to follow Jacob and Thunder Heart Woman on the trek to California, regardless of anything he would have done or said. Even Jethro had later pointed this out.

The next three years (1837-1840) must have been the best Jacob had ever experienced with any of the Virginia Wheelers. The three cousins – Naomi, Rachel and Leah – finally began to view Thunder Heart Woman as a member of the family and cherished her and Jacob’s three children (Abraham had been born in Wheelerton in 1836 and Jacob Jr. was born in Missouri sometime in late 1840). Jacob’s close relationship with Jethro seemed like a far cry from the conflicts with Nathan that marred his trip to the west back in the 1820s. One would begin to think that Jacob no longer suffered from any insecurity by this point. And yet . . . they only remained buried inside him, waiting for the right moment to manifest.

In the end, it took the wagon train journey to California (dubbed ”the Wagon Train of Doom” by me) featured in ”Manifest Destiny” for Jacob’s insecurities to get the best of him. Upon their arrival in Independence, Missouri in the fall of 1840, the Wheeler family remained there during the winter before joining a California-bound wagon train led by one Stephen Hoxie (Beau Bridges) in the spring of 1841. Surprisingly, only Thunder Heart Woman seemed reluctant to leave Missouri. I suspect she had enough of being constantly on the move for the past several years. But the rest of the Wheelers, especially Jacob, seemed determined to head for California.

Once the Hoxie wagon company began their westward trek, everything seemed to be faring well. The weather seemed beautiful. Everyone seemed to be in good spirits – including the black family from Illinois named Jones that managed to join the wagon train without any opposition. Both Naomi and Rachel attracted the romantic attention of the train’s two scouts – ‘Skate’ Guthrie and James ‘Jim’ Ebbets (Ryan Robbins and Christopher Heyerdahl). This contentment finally ended when Thunder Heart Woman spotted wolves feeding off the corpse of a buffalo and when the train later crossed what I believe was the Big Blue River. The incident proved to be the first of two disagreements between the couple. Thunder Heart Woman viewed the wolves as a sign that the wagon train would come to a bad end. She insisted that the Wheeler family return to Missouri. Jacob dismissed her worries as superstition on her part. But the expression on his face clearly indicated his doubts on the wisdom of the trip.

Then the first disaster struck. One of the emigrants, a German-born minister named Preacher Hobbes (Derek de Lint), lost control of his wagon during the crossing. Distracted by the Hobbes family’s situation, Jethro nearly lost control of his wagon. Leah fell out of the wagon and drowned in the river’s fast flowing water. Although Hobbes received an angry response for his carelessness from Captain Hoxie, the Wheeler women’s anger seemed to be directed at Jacob for leading them to this western trek. The expression of guilt seemed very palpable on Jacob’s face, as Naomi demanded that he take the family back to Missouri. Leah’s death proved to be just the beginning.

The further west the wagon train traveled, more disasters followed. The emigrants were forced to deal with a severe thunderstorm and a cattle stampede that left the only son of a black emigrant named Absalom Jones (Neville Edwards) dead. Not long after the storm and the stampede, both Naomi and Rachel married two of the wagon train’s scouts, Skate and Jim. But that brief period of happiness failed to last when the wagon train attempted to travel through a pass. While traversing a pass, a wagon broke free, knocked Rachel down and ran over her leg, causing a severe compound fracture. The leg eventually became infected. Hobbes, the closest thing to a doctor available, tried to amputate Rachel’s leg; but his efforts turned out to be clumsy and Rachel died before he could finish. Although no family member angrily demanded that return to Missouri, the expression on Jacob’s face obviously conveyed his feelings of guilt.

The final blow to Jacob’s disastrous return to the west occurred when Mrs. Jones died from cholera. Since the Wheelers’ wagons had been traveling with the Jones’ wagon at the back of the train, they had been exposed to the disease. Hoxie and the scouts forced the Wheelers and the remaining members of the Jones family (Mr. Jones and Sally Jones) to remain behind under quarantine while the main body of the wagon train carries on. Only Naomi was able to continue with the train, since she had been with her new husband. Jethro became afflicted with symptoms of cholera but recovered. Both Jacob and Thunder Heart Woman drifted into a serious quarrel, when he suggested that she take their children and attempt to find her Lakota family. Needless to say, Thunder Heart Woman took the suggestion badly and reminded Jacob that he should have listened to her warnings about the journey.

No new outbreaks occurred after Jacob ordered that all drinking water be boiled. The Wheelers and the Jones rushed to catch up with the wagon train, but discovered that it had been attacked by Cheyenne warriors. All of the emigrants had been wiped out, aside from Naomi, who first became a captive and later, a wife of a Cheyenne chief Prairie Fire (Jay Tavare). The Wheelers and the Jones families were also attacked by Cheyenne warriors. They managed to repulse the attack, but Jacob ended up seriously wounded by an arrow in his chest. The surviving emigrants tried to move on with a wounded Jacob, but the juts and bumps of the trail made it impossible for him to endure the pain. Instead, he insisted that Thunder Heart Woman, Jethro, Mr. Jones and the children continue west to California without him, since he would only prevent them from crossing the Sierra Nevada Mountains before winter. They left him behind with great reluctance.

The period that Jacob spent east of the Sierra Nevada Mountains allowed him to wallow in loneliness and grief over the separation from his family. But he remained determined to find them. And it took him another four to five years before he finally did. Becoming a member of John Charles Frémont’s California Volunteer Militia during the Mexican-American War allowed Jacob to scour the region for signs or news of his remaining family. Five years passed before he finally came upon the ranch that Jethro and Thunder Heart Woman had settled. Jacob also discovered that in the intervening years, his brother and wife had considered him dead, began a relationship and had a child – a little girl named Cornflower. Devastated by this turn of events, Jacob decided not to reveal himself to his family. At least not openly. Instead, he left the wooden medicine wheel necklace that Thunder Heart Woman had given him when they first met to his youngest child, Jacob High Cloud. Another five years passed before Jacob finally reconciled with his family, due to the efforts of his daughter, Margaret Light Shines.

Ever since I first saw ”INTO THE WEST” and especially the above mentioned scene from ”Manifest Destiny”, I have found myself wondering about Jacob’s actions. I understood why he decided not to intrude upon the family that Jethro and Thunder Heart Woman had formed upon their arrival in California. But why did he leave the medicine wheel necklace to young Jacob? Surely, he knew that his family would be aware that he was alive . . . and knew about their situation? Looking back on his action, it struck me as a very passive-aggressive on his part. He lacked the courage to face Jethro and Thunder Heart Woman. And yet, he seemed determined to thwart the happiness they had created . . . as if he was punishing them for continuing their lives without him. Or perhaps Jacob felt a great deal of envy toward Jethro because the latter turned out to be the one who successfully led the family to California, and not him.

Perhaps Jacob had always a passively-aggressive personality from the beginning. His relationship with his Virginia family struck me as being marked by a great deal of passive-aggressive behavior from the start. Jacob seemed determined to be his own man, whether in his enthusiasm for the West, his decision to leave Wheeler or join Jedediah Smith’s expedition over following his brother Nathan to Texas. And yet . . . he never defended himself in the face of their criticism. Instead, he resorted to resentful silence. Why did he constantly fail to defend himself? Was he merely trying to keep the peace? Or did some small part of him fear that his family may have been right about him? It seemed strange than many fans and critics of "INTO THE WEST" seemed to adore Jacob for his seemingly self-assurance and outgoing personality. At the same time, they derided Jethro for being an insecure loser in their eyes. I got the feeling that they were so busy either scorning Jethro or adulating Jacob that they failed to detect the latter’s personal insecurities and darker traits. And Jacob certainly had them by the bucketful.

Did Jacob ever overcome his insecurities? Perhaps. Perhaps not. I wonder if many are aware of this, but it usually takes an individual to overcome his or her faults during an entire lifetime. A good number of people never succeed in overcoming all of their faults. And since "INTO THE WEST" focused more on his and Thunder Heart Woman’s children in the last three episodes, audiences never discovered if he had overcome all of his faults and insecurities. Jacob certainly seemed more at peace in his old age than he did during his first forty years. Perhaps those years of solitude near the Sierra Mountains foothills helped him finally achieve some inner peace.

Friday, March 18, 2011

"TRUE GRIT" (2010) Review




"TRUE GRIT" (2010) Review

I have never read Charles Portis’ 1968 novel called ”TRUE GRIT”. And my only glimpse of Henry Hathaway’s 1969 film adaptation was of John Wayne charging horseback toward a band of outlaws, while armed with a weapon in both hands. So it was with great curiosity that I went to see Joel and Ethan Coen’s recent film adaptation of the novel.

”TRUE GRIT” told the story of 14 year-old Mattie Ross’s efforts to seek justice and retribution for the murder of her father in post-Civil War western Arkansas. Due to the local law’s failure to arrest her father’s killer, Tom Chaney, Mattie travels to Fort Smith and recruits a U.S. Marshal named Reuben “Rooster” Cogburn to hunt down and arrest Chaney in the Indian Territory (present day Oklahoma). Unbeknownst to Mattie, Cogburn teams up with a Texas Ranger named LaBoeuf, who seeks Chaney for the murder of a state senator and his dog. The two men depart Fort Smith and cross into Indian Territory without Mattie. However, she refuses to be left behind and quickly catches up with the two men.

I must admit that I had no idea how I would accept ”TRUE GRIT”. First of all, it was a remake of a successful that led to an Academy Award for its star. Many remakes tend to be inferior to the original movie. However, there have been remakes that are just as good as the original – like James Mangold’s ”3:10 TO YUMA”. There have also been remakes that turned out to be superior to the original – like 1941’s ”THE MALTESE FALCON” and 1988’s ”DIRTY ROTTEN SCOUNDRELS”. Since I have never seen the 1969 version of ”TRUE GRIT” in its entirety, I do not see how I could compare it to this new version. I will admit that it turned out to be a very entertaining and intelligent adaptation of Portis’ novel.

In short, I enjoyed ”TRUE GRIT” very much. Thanks to Joel and Ethan Coen’s writing and direction, the movie struck me as a well-balanced combination of a character study, action film and coming-of-age tale. The movie’s first half, which featured Mattie Ross’s attempts to settle her father’s affairs and recruit Cogburn or anyone else willing to hunt down Chaney. A good deal of the movie’s midway point featured interactions between the three protagonists – Mattie, Cogburn and LaBoeuf – during their journey through the Indian Territory. But once Mattie and Cogburn come across outlaws associated with a fugitive gang leader named “Lucky” Ned Pepper, the movie’s action kicks into high gear. More importantly, the movie’s shift into action did not impede its strong characterizations and drama one bit. Another aspect of ”TRUE GRIT” that I had enjoyed was the dark humor – a trademark of the Coens’ work – that permeated the movie. It certainly befitted the movie’s dark coming-of-age tale and its characters.

I also have to give kudos to the movie’s production designer, Jess Goncher. He did a superb job in re-creating Fort Smith, Arkansas and the Indian Territory during the late 1860s. One of the best things he ever did was choose or suggest the production film the movie in New Mexico and Texas – states that bordered Oklahoma (formerly the Indian Territory). In doing so, he allowed the movie’s setting to adhere closer to Portis’ setting in the novel. Goncher was ably assisted by costume designer Mary Zophres, whose costumes perfectly captured the movie’s setting and character; and cinematographer Roger Deakins, whose photography strongly reminded me of the old daguerreotype images of the mid-to-late 19th century.

Matt Damon found himself following in the footsteps of singer Glen Campbell, in his portrayal of Texas Ranger LaBoeuf. I have seen some of the 1969 film and I must admit that Campbell gave a pretty solid performance. But Damon’s portrayal of the character struck me as more detailed and skillful. In fact, the actor did an excellent job in portraying the competent, yet egotistical lawman. Not only did Damon made me forget that he had very little experience with Westerns, he is one of two actors I have ever seen convey the correct method (breathing included) in long distance shooting. Josh Brolin had more experience with Westerns – including a co-starring role in the ABC series, ”THE YOUNG RIDERS” and the Coens’ award-winning film, ”NO COUNTRY FOR OLD MEN”. He portrayed the heroes’ main target, hired hand/outlaw Tom Chaney. The actor did not appear in many scenes of ”TRUE GRIT”, but his character permeated the movie’s first half like a malevolent spirit. Once he made his appearance, Brolin’s Chaney seemed insignificant and dimwitted. Yet, as the movie continued on, Brolin revealed more of Chaney’s cunning and stealth with great skill and subtlety. The movie also benefitted from a solid performance by supporting actor Barry Pepper, who portrayed “Lucky” Ned Pepper, an outlaw leader who is sought by Cogburn. The actor’s Ned Pepper struck me as a curious mixture of ruthlessness, pragmatism and honor. He seemed to have no qualms in killing the 14 year-old Mattie over her evasions regarding Cogburn’s whereabouts. And yet, after she honestly answered his questions, his character seemed very willing to keep his word about sparing her life. I have always been an admirer of Pepper’s talents. This role certainly confirmed my opinion.

When I had discovered that Jeff Bridges would end up reprising the role that led to an Academy Award for John Wayne, I almost felt sorry for him. Almost. I eventually realized that my sympathy would be wasted on him. Bridges was talented and charismatic enough to put his own stamp on the role of Reuben J. “Rooster” Cogburn. Sure enough, Bridges did exactly just that. His portrayal as Cogburn seemed so thorough that I found it difficult to see the actor within the character. His darker portrayal of the character also made me forget about Wayne’s friendlier spin on the role. The main character of ”TRUE GRIT”, in my opinion, turned out to be one Mattie Ross, the 14 year-old daughter of the murdered man. Her desire and determination to seek retribution for her father’s death turned out to be story’s catalyst. Hailee Steinfeld beautifully captured every aspect of Mattie’s complex nature. In fact, there were times I had felt as if I was watching a strong-willed and ruthless woman inside an adolescent’s body. However, Steinfeld’s performance also reminded me that behind the strong will and ruthlessness lurked an innocent and inexperienced young girl. Steinfeld’s chemistry with her co-stars seemed so strong that I found myself wondering how Cogburn, LeBouef or both would regard Mattie if she had been an adult. I have heard speculations of a possible Best Supporting Actress Oscar nomination for Steinfeld. In my opinion, she deserved a nomination for Best Actress. After all, she was not only the leading female character, but the story’s main character.

It just recently occurred to me that ”TRUE GRIT” failed to earn any Golden Globe nominations – major or minor, last month. Frankly, I considered this a joke. Not only did I enjoy it very much, I consider it to be one of the best movies I have seen this year. It is a rare occurrence to find a remake that is just as good or perhaps even slightly better than the original. Fortunately, the movie did earn 10 Academy Award nominations. And thanks to Ethan and Joel Coen, ”TRUE GRIT turned out to be one of those rare gems.

Monday, January 3, 2011

"TRUE GRIT" (2010) Photo Gallery



Below are images from "TRUE GRIT", the second movie adaptation of Charles Portis' 1968 novel. Directed by Joel and Ethan Coen, the movie stars Jeff Bridges, Matt Damon, Josh Brolin and Hailee Steinfeld:


"TRUE GRIT" (2010) Photo Gallery